(You would think the device that is going to change the game would be able to hold more than 8GB.) The tennis ball-sized contraption allows you to isolate a specific element of a song, an idea that is fine for about five minutes until you realize listening to a song is way more fun without having to choose your own adventure through it. The album was released exclusively on the Stem Player, a $200 gadget that he believes is revolutionary new technology but is really a glorified iPod Shuffle. That seems to be what Kanye wants anyway. It hasn’t even been officially labeled Donda 2 yet-instead, it’s designated “V2.22.22 Miami” (the date and location of the most recent Donda 2 listening party) like it’s an iOS update. True to this direction, Donda 2, the sequel to last year’s Donda, is not chiefly concerned with the music. The music became an afterthought, a mere bullet point in a Kanye machine more concerned with clothing lines, Forbes list rankings, and a pivot to “free thinking,” an excuse to pretend his dumb tweets and political stances were actually genius. Somewhere along the way-I might point to the era around The Life of Pablo and I’m sure some would say earlier-that ego was no longer a piece of the art, but the art itself. An album Kanye believed in so wholeheartedly that even before it lifted him from the shadows to the limelight, he spoke about it as if the world would stop spinning without it. An album that bum-rushed through industry politics, skeptics, and even a near-death experience. The documentary began shooting years before the release of his debut album, 2004’s The College Dropout, a project Kanye and the directors approach as not just another batch of songs, but a soul-wrenching outpouring.
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